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Media Browser: This panel helps you browse your hard drive to find footage.You can use bins-similar to folders-to organize your assets. Project panel: This is where you place links to your project’s media files: video clips, audio files, graphics, still images, and sequences.In the main menu, choose Window > Source Monitor to open it again. Click the Close button on the Source tab to close that monitor. You can change to a single-monitor view if you choose. The lessons throughout this book reflect a two-monitor configuration. Some editors prefer working with only one monitor screen. The Program Monitor (on the right) is for viewing your sequence. To view a clip in the Source Monitor, double-click it in the Project panel. Monitor panels: You use the Source Monitor (on the left) to view and trim raw clips (your original footage).Therefore, you need to give clips on higher tracks some kind of transparency or reduce their size if you want clips on lower tracks to show through. Video clips on upper video tracks cover whatever is directly below them on the Timeline. Tracks: You can layer-or composite-video clips, images, graphics, and titles on an unlimited number of tracks.In this way, you can break up a production into manageable chunks or create unique special effects. One strength of sequences is that you can nest them (place sequences inside other sequences). You view and work on sequences (the term for edited video segments or entire projects) in the Timeline panel. Timeline panel: This is where you’ll do most of your actual editing.The main user interface elements are as follows: Some items with common industry terms stand alone, such as Timeline, Audio Mixer, and Program Monitor. The principal elements are shown here.Įach workspace item appears in its own panel, and multiple panels can be combined into a single frame. The interface is designed to make video editing easy. Things become much simpler when you know what the buttons are for. If you’re new to nonlinear editing, the default workspace might look like an awful lot of buttons. Then, to reset the Editing workspace, choose Window > Workspace > Reset Current Workspace. The workspace layoutīefore you begin, make sure you are looking at the default workspace. Premiere Pro will remember this location for the rest of the files. In this case, navigate to the Lessons/Assets folder, and select the file that the dialog box is prompting you to open. You’ll need to tell Premiere Pro where the file is.
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This will happen when the original files are saved on a hard drive (or hard drive letter) different from the one you’re using. Note: You may be prompted with a dialog box asking where a particular file is. Note: All Adobe Premiere Pro project files have a. Note: It’s best to copy all the lesson assets from the DVD to your hard drive and leave them there until you complete this book some lessons refer to assets from previous lessons.
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The suggested directory is My Documents/Adobe/Premiere Pro/6.0/Lessons (Windows) or Documents/Adobe/Premiere Pro/6.0/Lessons (Mac OS). Be sure to copy the lesson files from the DVD to your computer’s hard drive for best performance.ġ Make sure you’ve copied all the lesson folders and contents from the DVD to your hard drive. In this exercise, you’ll use an Premiere Pro project from this book’s companion DVD. To begin with, you’ll take a brief tour of the Editing workspace. Workspaces quickly configure the various panels and tools on-screen in ways that are helpful for particular activities, such as editing, special effects work, or audio mixing. To make it easier to configure the user interface, Premiere Pro offers workspaces. It’s helpful to begin by getting a little familiarity with the editing interface so you can recognize the tools as you work with them in the following lessons. Note: This excerpt is from the forthcoming book Adobe Premiere Pro CS6 Classroom in a Book, ISBN 978-7-5.